Smart, dynamic writing that brings a very specific 1980s subculture to life.
In Lane’s historical novel, a college student stumbles his way through the alternative music scene of Flint, Michigan, in the 1980s.
Phil McCormick declares to readers early on that he’s usually doing one of four things: attending his creative writing class at the University of Michigan-Flint, helping his roommate organize punk rock shows, managing a small pizza counter, or selling recreational drugs (or “candy” as he lovingly calls them). Phil also dwells in gritty venues on Flint’s East Side, such as the El Oasis or the Rusty Nail, where club kids and skate punks gravitate to him: “The party must continue to rage despite Ronald Reagan’s trickle down economics,” he explains. Phil spends most of his time with Joe, his charming, popular roommate; Stuart, who goes on such intense benders that Phil often has to carry him back to his dysfunctional family’s home; or Karen, a sharp-tongued marketing major who compulsively steals. Karen is the object of Phil’s affection, but she never seems interested in pursuing a romance with him. As the crew shuffles between dance floors, bathroom drug deals, and greasy diners, Lane creates an episodic, slice-of-life story about youth, rebellion, and an increasingly desolate city on the cusp of economic meltdown. The story of a recently departed friend named Nigel, who managed to escape Flint for Washington, D.C., before ceasing contact with his former posse, provides a loose narrative backbone, but it never builds to anything too surprising or important. The focus is on Phil’s wry, personable, and fascinating point of view regarding this time and place (“It might appear that Flint is composed of different levels of danger on account of the homicides,” Phil says, “but this is something very few of us who are actually from here ever really consider”). All of Lane’s characters feel disaffected and cynical, recalling the fiction of Bret Easton Ellis, but Phil’s charm allows the author to build a world that’s both subversive and inviting. There’s something hopeful and familiar here as his characters head for certain doom—probably because they’re having so much fun.
Smart, dynamic writing that brings a very specific 1980s subculture to life.Pub Date: Feb. 16, 2024
ISBN: 9798218377700
Page Count: 254
Publisher: In Love with Plaid Press
Review Posted Online: April 18, 2024
Kirkus Reviews Issue: June 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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