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THE NEIGHBORS WE WANT

A fever dream of the monsters lurking beneath the suburban surface. Not even Mister Rogers would want these neighbors.

Humdrum domestic stresses hatch a flock of wildly florid complications.

Portland ad writer Adam Cooper, fired from his job at Lostine Windows for watching explicit videos at his workplace, is serving as a stay-at-home dad for his 7-month-old daughter, Maddie, while his wife, Sarah, struggles to pump milk each day during her downtime at César Chávez Elementary. Sarah’s unsought role as the family breadwinner is complicated by the unwelcome attention she gets from wealthy, entitled Chávez principal Evie Kemp, whose son, software engineer Crispin Kemp, has just been dumped by the Coopers’ neighbor Ali Washington, a receptionist and aspiring graphic designer who’s started to feel creepy about Crispin’s attentions. Ali’s shivers are the first sign that this apparently quotidian Oregon soap opera is being driven by some seriously dark energy. Ali has taken to posing in her bedroom window late at night to give Adam a private striptease. Crispin, who’s waiting to become a billionaire when Amazon acquires Logicstyx, the company he’s helped steer into the stratosphere, is disturbed in ways his mother can face only to the extent of thinking, “Crispin had gotten carried away again.” Sarah’s hiding secrets just as explosive as those of her husband and her next-door neighbor and the neighbor’s ex-lover. Ultimately, Adam’s ill-judged attempts to protect the wife who’s turned away from him ignite a full-blown blaze. Lane’s fragmentary narrative is constantly jumpy—not just when he’s shifting from one character’s point of view to the next, but even within single sentences like “Marriage is a scoreboard.”

A fever dream of the monsters lurking beneath the suburban surface. Not even Mister Rogers would want these neighbors.

Pub Date: Sept. 5, 2023

ISBN: 9781639104734

Page Count: 272

Publisher: Crooked Lane

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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