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EVERY TIME I GO ON VACATION, SOMEONE DIES

Brightly written piffle. To use the heroine’s own bugaboo assessment: Meh.

A mystery writer’s celebration of the 10th anniversary of her fact-based debut novel entangles her in—spoiler alert—another murder.

A decade ago, Eleanor Dash partnered with dashing private eye Connor Smith to bring down an Italian crime family. Flushed with success, she wrote When in Rome, a novel in which she changed her name but not Connor’s; he responded by demanding 10% of her advance and then, when the book turned out to be a success, 20% for the eight novels in the series she’s published since then. Now a mystery tour of Italy, during which she hopes to work on her latest, Amalfi Made Me Do It, has reunited Eleanor and Connor, along with Harper Dash, the younger sister whose dreams of publishing her own novels have been put on hold indefinitely while she works as Eleanor’s assistant; Allison Smith, the ex-wife Connor hid from Eleanor during their romance back then; Oliver Forrest, the boyfriend Eleanor replaced with Connor at the time; and several other mystery novelists and their fans, including Crazy Cathy, who’s so persistent in her attentions that Eleanor has served her with an injunction. Eleanor loves her career, loves Italy, and loves both Connor and Oliver. Mainly, though, she loves herself and her prowess as a mysterymonger who turns out to be a lot less tricky than her models. Readers with a taste for self-reflexive self-infatuation are advised to skip the story proper—which takes an unconscionably long time to produce a corpse and even longer before Eleanor reviews the evidence and comes up with the wrong conclusion—and just read the 237 footnotes, many of them referencing other footnotes. How adorable is that?

Brightly written piffle. To use the heroine’s own bugaboo assessment: Meh.

Pub Date: April 30, 2024

ISBN: 9781250325853

Page Count: 352

Publisher: Minotaur

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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DESERT STAR

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.

Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

Pub Date: Nov. 8, 2022

ISBN: 978-0-316-48565-4

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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