A twisty and complex horror novel with a love story at its center.
In Kent’s supernatural thriller, a young woman’s mother and grandmother suddenly disappear, and her investigation takes her to her widowed great aunt's house.
In the year 2000, Edna Mann is an 81-year-old woman who’s been living alone after the death of her husband, Henry Mann, the previous year. Her only companion is a mysteriously long-lived plant, which Henry gave to her when they were children. Henry’s ailing sister, Ruth, and her niece, Grace Gill, live in another house on the same plot of land; Grace thinks Edna should move on from Henry's death and into an assisted living facility. However, Edna refuses to go as long as she believes that her spouse’s spirit lingers, communicating with her through the plant—in part by blossoming in response to her questions. After Ruth and Grace go missing, Grace’s 32-year-old daughter, Noor, visits Edna, looking for answers. Despite Edna’s assertions that there’s nothing to worry about, Noor isn’t convinced; she looks in Edna’s dusty basement for clues and comes upon an old newspaper (headlined “Local Families Demand Answers: Teens Still Missing One Year Later”) and a trove of old letters that just might be the lead she’s looking for. Kent crafts a compelling, nonlinear tale of supernatural horror. Interspersed throughout the novel are scenes from Edna’s life, including her first meeting with Henry, when they were both kids, to their later engagement and marriage; chapters that focus on their daughter, Betty Lou, reveal a strange and tumultuous childhood. The novel’s exploration of generations of complicated mother-daughter relationships is well-done; Noor has a more positive rapport with her mother, but their dynamic provides a window into generational cycles of resentment and misunderstanding. Overall, this book is tense and heartwarming, by turns, as it switches between past domestic bliss and current, frightening reality.
A twisty and complex horror novel with a love story at its center.Pub Date: today
ISBN: 9781590215241
Page Count: 302
Publisher: Lethe Press
Review Posted Online: April 29, 2024
Review Program: Kirkus Indie
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.
What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.
Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.Pub Date: April 16, 2024
ISBN: 9780063305649
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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