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WORLD WAR ONE THROUGH THE EYES OF AN UNKNOWN SOLDIER

An engrossing war saga that mixes harrowing battle scenes with resonant pathos.

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An American doughboy experiences horror and heroism on the Western Front in Davis’ searing World War I novel.

This story centers on the mysterious diary of a soldier (with the American Expeditionary Force in France in 1917 and 1918) whose vivid account of the war never mentions his name. The diary is discovered in the present day, hidden in a Parisian bookstore, by Alex Grover, an American high-school senior on an awkward graduation holiday with his estranged dad, Walter, a retired U.S. Army veteran. The two bond over the journal’s gripping portrait of the war. The diary recaps the soldier’s training as he learns to survive the extraordinarily lethal environment of high-intensity combat, where death lurks in everything from snipers’ bullets and explosive shells to poison gas and, late in the war, the Spanish Flu. The action ramps up to the great Allied offensives of 1918 as the diarist weathers shattering bombardments and leads his squad through machine-gun fire as they storm German trenches. Reading the diary and visiting American military cemeteries in France, Alex and Walter piece together clues indicating that the diarist might be the man buried in the Tomb of the Unknown Soldier at Arlington National Cemetery. Davis, himself a veteran, pens a rousing, blood-and-guts combat narrative, steeped in meticulously rendered military procedure and ghastly carnage, depicted in blunt, visceral prose. (“All of a sudden, I heard the sound of metal on metal. I looked over to the soldier on my right. He just lay there. Half his head was gone.”) He also deftly traces the psychological transformation of his protagonist, who is brave, patriotic, and self-sacrificing but increasingly coarsened by war. (“Once we got out of the building, we laid the soldier on the ground…I didn’t cry. I don’t feel empathy or sadness. I’m mad I’m one soldier short in my squad.”) The result is a riveting tale of a nameless everyman charging through hell on earth.

An engrossing war saga that mixes harrowing battle scenes with resonant pathos.

Pub Date: today

ISBN: N/A

Page Count: 210

Publisher: My Random Thoughts

Review Posted Online: yesterday

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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