An amusing, heartfelt, and bittersweet read that will resonate deeply with pet lovers.
A compilation of Knisley’s webcomics about the life of her orange house cat, Linney.
Linney, “a glorious apricot-hued cloud of softness,” loves to yowl about the tragic woes that befall her: She experiences despair over empty food dishes, irritatingly persistent devotion from dog friend Flora, and the aggravations of life with Knisley’s “human kitten.” Linney’s “torrid past” (unknown to her humans, since she was adopted from a shelter as an adult) has left her with a single fang, and she melodramatically expresses her displeasure (“Woe. Woe. Woe.”) whenever she’s forced to undergo horrible inconveniences. Bestselling comic creator Knisley draws Linney’s exaggerated facial expressions and body language in a minimalist way that allows the cat to express a broad range of emotions, from self-important dismay to indulgent contentment. Linney’s magnificent fluffiness is shown to great effect, particularly after a humiliating haircut, and the ever-present fang stands out as part of her “Signature SneerTM” when Linney complains. The author’s skillful rendering of her devoted attachment to her cat sets this graphic novel apart, giving it an added layer of depth as a mature look at the arc of a cat’s life and relationships with her two- and four-legged family members. The clean, attractively colored scenes appear against a plain white background without solid panel outlines, making Linney’s expressive green eyes and orange fur pop. The story is conveyed through speech bubbles with fluid, dynamic lettering.
An amusing, heartfelt, and bittersweet read that will resonate deeply with pet lovers. (Graphic fiction. 12-18)Pub Date: July 2, 2024
ISBN: 9780593177631
Page Count: 208
Publisher: Random House Graphic
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: yesterday
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
Witty and funny, with well-rounded characters who face complex inner moral issues.
In a world dominated by order, chaos threatens to upend tradition when unlikely competitors are chosen to fight for the throne.
Emperor Erasmus is dead, leaving the Great Dragon to decide the future of the Etrusian Empire. Traditionally, the oldest child from each of the five Houses and his or her dragon compete for the throne. However, this time outsiders are called to compete: Chara and her rider, Emilia, youngest daughter of House Aurun, who holds the magic of chaos; Tyche and her rider, Lucian, reformed warrior of House Sabel; Karina and her rider, Vespir, the lowborn, lesbian servant girl and dragon handler of House Pentri; Dog and his rider, Ajax, the wily illegitimate son of House Tiber; and Minerva and her rider, Julia, who are challenged by Hyperia, who believes the throne is her birthright, and her feral dragon, Aufidius. During the stages of the Emperor’s Trial—the Hunt, the Game, the Race, and the Truth—each competitor faces their own personal weaknesses. Multiple perspectives create depth in this complex fantasy world with flawed human characters who have murder, destruction, thievery, and cowardice in their backgrounds. Cluess’ dragons have unique personalities and voices of their own, becoming as central to the story as their human riders. Most characters are cued as white; blonde hair and blue eyes are valorized. Vespir’s lesbian identity is neatly and naturally woven into her character.
Witty and funny, with well-rounded characters who face complex inner moral issues. (map) (Fantasy. 12-16)Pub Date: May 12, 2020
ISBN: 978-0-525-64815-4
Page Count: 448
Publisher: Random House
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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