by Rebecca Giggs ‧ RELEASE DATE: July 28, 2020
A thoughtful, ambitiously crafted appeal for the preservation of marine mammals.
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Seafaring scrutiny of whales, their oceanic environment, and the dangers to their survival.
For Australian journalist Giggs, the sighting of a humpback whale beached on a local shoreline sparked her curiosity for the life and lore of the storied marine mammal. She became captivated by the animal after an informative encounter with the wildlife officer who euthanized the whale. The entire ordeal inspired a research project that encompasses not only physical and ecological elements, but also artistic representations and philosophy. Giggs presents the bounty of that scholarship in crisp, creatively written chapters addressing the many layers of the whale population’s unique physiology and evolutionary history, sociality, above-water balletic athleticism, and enigmatic “biophony” of their vocalizations. Most importantly, she analyzes how their behavior can be predictive for the Earth’s future. An adventurous explorer, the author immerses readers in an Australian whale watching tour and then dips into the deep international waters of Japan, where whaling ships flourish. With a conservationist mindset, Giggs reiterates that the whale and its life, legacy, and precarious environmental state are reflective of the greater issues the Earth faces, from ecological upheaval to overconsumption. Whether describing the majesty of the blue whale or the human assault on sea ecology due to paper and plastic pollution, the author’s prose is poetic, beautifully smooth, urgently readable, and eloquently informative. Her passion for whales leaps off the page, urging readers to care and—even more so—become involved in their protection and preservation. Throughout the book, the author’s debut, she brilliantly exposes “how regular human life seeped into the habitats of wildlife, and how wildlife returned back to us, the evidence of our obliviousness.” Refreshingly, she also reveals glimmers of hope regarding what whales can teach the human race about our capacity to ecologically coexist with the natural world.
A thoughtful, ambitiously crafted appeal for the preservation of marine mammals.Pub Date: July 28, 2020
ISBN: 978-1-982120-69-6
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: April 25, 2020
Kirkus Reviews Issue: May 15, 2020
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PERSPECTIVES
PROFILES
PERSPECTIVES
by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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