THE SKULL

Caldecott medalist Klassen’s signature style is brought to bear on a Tyrolean tale imbued with equal parts comfort and creepiness.

As the story begins, we meet Otilla, a young tan-skinned girl on the run from her old life, who stumbles upon a large house with a single occupant: a talking skull. The two strike up an immediate friendship, and when the skull confesses that a headless skeleton chases him every night, Otilla is determined to come to his aid. Keen ingenuity on her part protects her new friend, and a happy ending sees the two of them together always. Klassen balances the spooky elements of the story brilliantly alongside cozy teas and the occasional waltz. This is aided in no small part by a limited palette that depicts the slanted burnt umber rays of the rising and setting sun as well as the gentle gleam of candlelight. In a marvelous author’s note, Klassen recounts how he encountered this folktale in a school library and misremembered it in the best way. As he says, “Folktales…are supposed to be changed by who is telling them, and you never find them the same way twice.” One can only hope that children will tell and retell this reinterpretation many times to themselves throughout the years.

Employing his customary pitch-perfect tonal gymnastics, only Klassen could inspire readers to want craniums as pals.