Timeless wisdom made fresh and accessible.
Mehlman and Padawer present a new translation of Buber’s classic work of philosophy.
Martin Buber was one of the most important thinkers of the 20th century, probably best known for I and Thou (1923), in which he argues that humanity reaches its fullest expression in relationships with God and with other people. In this collection of talks he gave in 1947, the author presents legends and parables that exemplify his understanding of Chasidic Judaism, adding his own thoughts on these stories. The God who emerges from these tales is a paradox: infinite and ineffable, but also ever present. This is a God who meets people where they are. The rabbis we encounter here are similarly puzzling: They are renowned for their wisdom, but when followers come to them for guidance, these holy men invariably instruct their questioners to look inside themselves for answers. Their philosophy is perhaps best summarized by Rabbi Eliezer when he says, “Forget yourself and have the whole world in mind!” Buber, however, is a warm and generous guide. Taken as a whole, his meditations on these tales articulate an openhearted philosophy of living centered on service, and Mehlman and Padawer have followed his lead in crafting this very inviting translation. The syntax they use is elegantly simple, and contemporary readers will appreciate their use of gender-neutral language. Scholarly supplemental material makes up a considerable portion of this slender volume, and its presence is a valuable addition. While it’s true that the translators’ comments on the text would have been easier to process as footnotes than as endnotes, their observations are immensely helpful. Two forewords, a translators’ introduction, and a substantive and fascinating epilogue offer valuable guidance and context—even to the reader who may already be familiar with this work.
Timeless wisdom made fresh and accessible.Pub Date: July 10, 2023
ISBN: 9780881236378
Page Count: 88
Publisher: Reform Judaism Publishing (CCAR Press)
Review Posted Online: July 14, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Review Program: Kirkus Indie
PERSPECTIVES
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A top-flight nonfiction debut from a unique artist.
The acclaimed director displays his talents as a film critic.
Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.
A top-flight nonfiction debut from a unique artist.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-311258-2
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 31, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
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