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EVERYBODY KNOWS

A mesmerizing whodunit, escapist yet thought-provoking.

Edgar winner Harper’s deep dive into a netherworld of murder and sexual perversion among LA's elite power wielders evolves from noir fiction into a knotty morality tale.

Mae Pruett whitewashes celebrity clients’ ugliest imbroglios, from an inconvenient black eye to a drug overdose, for a crisis-management firm specializing in "black bag PR.” Former cop Chris Tamburro works for a high-end security firm that stretches the definition of protection to include physical violence. They both accept that they are complicit in secrets and lies but they love the adrenaline rush of their work. Then Mae’s co-worker Dan Hennigan is killed under circumstances she finds suspicious though her bosses don’t, or won’t. Coincidentally, Chris’ boss offers him what initially seems a choice assignment, to use his old police connections to investigate Dan’s killing. But why is the client’s identity a secret? Soon the former lovers are secretly working together without their companies’ knowledge, connecting a growing list of murders to Jeffrey Epstein–style sexual outrages, questionable land deals, and a host of other unsavory dealings by men of seemingly untouchable clout. As the bodies accumulate, a pregnant 14-year-old becomes the “bloody glove—the objective correlative, the one real thing you can point to that makes the lies feel solid.” Harper’s physical descriptions of LA and set pieces with minor characters are cinematic, evoking classic films like The Big Sleep and Chinatown. While Harper’s take is more graphic and emotionally bleak, his writing is witty, elegant, even funny, as in Mae’s hilarious solution for that inconvenient black eye. The heart of the story lies in Mae and Chris’ relationship. As they fall back in love, they each lose the cynical edge they've always relied on. They begin to weigh what ethical boundaries they won’t cross, or stomach others crossing, and what price each is willing to pay in the future.

A mesmerizing whodunit, escapist yet thought-provoking.

Pub Date: Jan. 10, 2023

ISBN: 9780316457910

Page Count: 352

Publisher: Mulholland Books/Little, Brown

Review Posted Online: Dec. 23, 2022

Kirkus Reviews Issue: Jan. 15, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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