An irresistible, high-stakes, cross-country adventure about a man with amazing gifts.
Seaborne’s thriller features the return of superpowered action hero Will Stewart.
In this 10th installment in his contemporary adventure series, the author continues the exploits of Will Stewart, an air charter pilot, and his wife, Andy, a detective in Wisconsin’s Essex County Police Department (characterized by her husband as “an equal opportunity juggernaut of justice”). Will and Andy are briefed by FBI Special Agent Leslie Carson-Pelham and her colleagues on the inner workings of a paramilitary insurgency group known as Company W (“The W stands for White and the military grade high-capacity semiautomatic rifles they carry promise supremacy of arms, if not intellect”). Will and Andy have had near-fatal encounters with Company W before and have always been stymied by the compartmentalized nature of the group. “It’s not an organization with a headquarters,” they’re told by Carson-Pelham. “It’s like a cloud or a fog moving across the landscape. Arch conservativism. Racism. White supremacy. Grievance. Fascism by a dozen different names.” The couple are swept up in a complex plot involving the desperate plight of children in a hospice program, with tendrils of corruption and evil extending from Galveston to the Florida Keys. The narrative includes a number of suspicious figures, some of them connected to an evil pharmaceutical company that will arouse readers’ suspicions right from the start. Though the narrative gives a generous amount of the spotlight to Andy, Will is a natural scene-stealer by virtue of his actual superpowers: He can both fly and vanish from sight.
Considering the outsized, comic-book premise, it continues to be downright amazing how grounded Seaborne’s world consistently feels. Yes, Will Stewart has some Marvel-style paranormal gifts, but both his abilities and personality are so thoroughly fleshed out and believable that, in no time at all, the reader matter-of-factly integrates these fantastical elements into the standard heroics-and-gunfire action without a second thought. “This isn’t one of your silly action movies where all the clues line up in the third reel,” Andy deadpans. “It’s hundreds of hours of boring investigative work, connecting dots, scouring phone records, scraping through emails and texts, building cases.” This latest entry in the series maintains the same grounded, workaday feeling, but both Will and Andy consistently strain against it—they’re full-fledged action heroes, always ready to respond with Hollywood-style quips and larger-than-life violence. The author effectively fleshes out even minor walk-on characters, and his portrayal of the loving relationship between his two heroes continues to be the most satisfying aspect of the series, the kind of three-dimensional adult relationship remarkably rare in thrillers like this one. The author’s skill at pacing is razor-sharp—the book is a compulsive page-turner right up until the obligatory exposition dump near the end. The descriptions of the actual workings of Will’s powers are uniformly gripping; it makes the book feel like the best possible combination of the Odd Thomas novels of Dean Koontz and the Jack Reacher novels of Lee Child.
An irresistible, high-stakes, cross-country adventure about a man with amazing gifts.Pub Date: May 1, 2023
ISBN: 9781958005781
Page Count: 448
Publisher: Trans World Data
Review Posted Online: March 22, 2023
Kirkus Reviews Issue: May 15, 2023
Review Program: Kirkus Indie
PERSPECTIVES
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.
What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.
Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.Pub Date: April 16, 2024
ISBN: 9780063305649
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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