An inventive, beautifully written debut that will leave readers wanting more.
A madcap odyssey through the hellscape that is the metropolis of the near future.
In a narrative that’s long on rich description and has a playful love of language, the protagonist, Slide, is a young man with a problem: He lives in a seedy neighborhood where orphans steal his socks from the laundromat and one of his roommates sneaks into his bedroom at night for reasons unclear but likely untoward. Confronted by preteen hoodlums who demand to know which gang he swears allegiance to—“You run with Gulag? Uncle Death? One Shot? Diablos? Why’re you wearing shorts?”—Slide decides to find his own place in a better part of Polis, about which his roomie warns him, “Polis is a friend to no one. It will only take what you give and spit back the bones, even your past, which it holds in reserve to taunt you.” That’s just so, and as Slide goes out into the city, moving from one pitiless zone to the next, he meets some extremely odd characters, such as a hot dog vendor who demands that he eat a suspicious-looking tube steak before proceeding (“Can’t help the streets if you ain’t buying the meats!”) and a tent-city denizen decked out in two tracksuits even in the “June heat that wrapped our throats like pythons.” Finally Slide reaches a part of town “where the light shines brighter,” where the coffee shops have dozens of varieties of beans and “everyone’s clothes were of a higher thread count”—a paradise that’s inaccessible to him. Like Dante, Slide wanders in circles, soaking in weirdness, tragedies, and occasional flashes of beauty. And like Joyce, Johnson builds a world that, for all its improbabilities, is recognizable, with characters who dispense rough and memorable wisdom to help survive an ominous future; as one Uglygod instructs: “You don’t step into a snake’s mouth because it says it’s got its teeth pulled.”
An inventive, beautifully written debut that will leave readers wanting more.Pub Date: Oct. 24, 2023
ISBN: 9781952119743
Page Count: 502
Publisher: McSweeney’s
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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PERSPECTIVES
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