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WATER MUSIC

A CAPE COD STORY

Readers will enjoy this tense, atmospheric family drama.

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In Peck’s coming-of-age novel set in 1956, a New Jersey girl struggles with family relationships while on vacation in Cape Cod, Massachusetts.

Every year, Weston and Lydia Grainger take their two daughters, Lily and Dodie, to Cape Cod for a long vacation from a blistering New Jersey summer. Weston, a mild-mannered graduate student, is the opposite of his wife, Lydia, who was born the only child to a wealthy, well-established New England family that valued tradition and etiquette over family ties. This long history of excessive concern about propriety and appearances has turned Lydia into a humorless and often insensitive mother. In contrast, Weston is bright, engaged, and eager to pass on his scholarly enthusiasm to his daughters. Weston’s efforts are successful with Dodie, who’s studious and high-achieving but proud and somewhat cold like her mother. Lily, the story’s 11-year-old narrator, shares her father’s rambunctious spirit but her musical talents likely come from her mother, a born pianist. Readers first encounter the Graingers as they make their regular summer trip, but there’s one noted difference: Despite their modest means, they’re building a house across the lake from Weston’s overbearing brother George’s sprawling home. George is intent on discrediting and lording his privilege over his brother, and on embarrassing his meek wife, Fanny. The couple’s children, Nicole and Digory, each take turns bullying their cousins, with Lily getting the brunt of the abuse. This sometimes folksy, other times stressful coming-of-age story shows how personalities can clash within a family. Peck creates a lively, compelling narrative by deftly choosing to track the story’s progress as one would track an impending storm. As the summer wears on, so does a sense of impending doom surrounding Hurricane Carolyn, which provides nature’s response to the growing tension between and among the various family members, bringing the story to a fever pitch in the last few chapters: “Everyone hoped the storm would miss the Cape and blow itself out to sea. But just when we began to think we could relax, Carolyn veered.”

Readers will enjoy this tense, atmospheric family drama.

Pub Date: May 5, 2023

ISBN: 9798986567686

Page Count: 244

Publisher: Sea Crow Press

Review Posted Online: Oct. 19, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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