A heartwarming tale with an abundance of kindness, love, and tradition.
Blessing the challah at the Friday night dinner signals the beginning of Shabbat.
In the early 20th century, the city of Jerusalem is still a small town. Bakery owners Esther and Ezra bake the challahs before dawn on Friday mornings to be ready by daylight for delivery to Jewish families. Jacob, their reliable delivery boy, loads the cart, hitches up their horse, clicks his tongue to her, and off they go. Jacob and Soosie make several stops along the road for people waiting to select their loaves and place payment in a little tin bank affixed to the side of the cart, exchanging greetings of “Shabbat Shalom” as they go. One memorable Friday, Jacob is very sick, but he and the bakers are confident that Soosie can do the job on her own. After all, she knows the routine very well. They put a note under the tin bank so their customers will understand the unusual change. It works perfectly, and the exhausted Soosie arrives home with a full bank and an empty stomach. She is given the trio’s gratitude, a meal, and a well-earned rest. Halberstadt’s cartoon illustrations are filled with energy and emotion, vividly depicting characters and important objects in bright colors, with some backgrounds in gray, and just enough detail to set the scene. Diverse townspeople are seen with many different skin tones and a wide variety of dress indicating the scattered places from which they migrated to Palestine/Israel. A detailed author’s note explains the tale’s origins, a bit of Jerusalem’s history, and the rituals of Shabbat.
A heartwarming tale with an abundance of kindness, love, and tradition. (Picture book. 4-11)Pub Date: March 2, 2021
ISBN: 978-0-9988527-7-5
Page Count: 32
Publisher: Endless Mountains Publishing
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
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BOOK REVIEW
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