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BETWEEN THE LINES

Name: BETWEEN THE LINES
Author: Lindsay Ward
ISBN: 978-1-5420-2690-1

by Lindsay Ward ; illustrated by Lindsay Ward ‧ RELEASE DATE: Sept. 28, 2021

Mixed metaphors cloud the power of this familiar message.

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A vibrant neighborhood loses its color, literally, as the community becomes fractured.

Color is not a subtle metaphor in this story of a time when “the colors were swept from our street,” told by an unnamed boy with pale skin. Initially, loose-lined illustrations depict a lively city block in bright hues, but as the “sounds became quieter,” the colors begin to fade. Then, after a violent storm of jagged yellow streaks and bursts of fiery sparks, the color is completely gone. Not only are the city and its residents now composed only of cartoony black lines, but on the ground there is a dark rupture (another line) that divides the neighborhood. In one illustration, the boy stands on one side of the split while a girl with dark skin stands on the other. Is the rift a racial one? The next illustration shows the same children indoors, waving at each other through their windows. Does this “empty sadness” that lasts a year represent the Covid-19 pandemic? Is the emphasis on lines a commentary on society’s disconnectedness? Unfortunately, this year any of these interpretations could be true, and the myriad possibilities dilute a clear message. Nevertheless, the boy decides to do the hard work of clearing the rubble the storm left behind, and as neighbors join in to help, smiles and laughter return, bringing, predictably, the color back.

Mixed metaphors cloud the power of this familiar message. (Picture book. 4-8)

Pub Date: Sept. 28, 2021

ISBN: 978-1-5420-2690-1

Page Count: 48

Publisher: Two Lions

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

Categories:

CHILDREN'S SOCIAL THEMES

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OUR SPOT
by Lindsay Ward ; illustrated by Gabrielle Grimard

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POCKETS FOR TWO
by Lindsay Ward ; illustrated by Brizida Magro

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TRUSTY TOWN HALL
by Lindsay Ward ; illustrated by Lindsay Ward

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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THE BIG CHEESE

From the Food Group series

by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 7, 2023

From curds to riches, from meltdown to uplift—this multicourse romp delivers.

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A winning wheel of cheddar with braggadocio to match narrates a tale of comeuppance and redemption.

From humble beginnings among kitchen curds living “quiet lives of pasteurization,” the Big Cheese longs to be the best and builds success and renown based on proven skills and dependable results: “I stuck to the things I was good at.” When newcomer Wedge moves to the village of Curds-on-Whey, the Cheese’s star status wobbles and falls. Turns out that quiet, modest Wedge is also multitalented. At the annual Cheese-cathlon, Wedge bests six-time winner Cheese in every event, from the footrace and chess to hat making and bread buttering. A disappointed Cheese throws a full-blown tantrum before arriving at a moment of truth: Self-calming, conscious breathing permits deep relief that losing—even badly—does not result in disaster. A debrief with Wedge “that wasn’t all about me” leads to further realizations: Losing builds empathy for others; obsession with winning obscures “the joy of participating.” The chastened cheddar learns to reserve bragging for lifting up friends, because anyone can be the Big Cheese. More didactic and less pun-rich than previous entries in the Food Group series, this outing nevertheless couples a cheerful refrain with pithy life lessons that hit home. Oswald’s detailed, comical illustrations continue to provide laughs, including a spot with Cheese onstage doing a “CHED” talk.

From curds to riches, from meltdown to uplift—this multicourse romp delivers. (Picture book. 4-8)