by Colm Tóibín Colm Toibin ‧ RELEASE DATE: Sept. 20, 1995
An Irish novelist (The Heather Blazing, 1993, etc.) and journalist reports on his visits to centers of Catholic devotion in Europe, as he attempts to make sense of his own conflicted relationship with the faith he has abandoned. Beginning with reminiscences of his Irish upbringing, Tóibín takes us to Poland, France, Italy, Spain, the post-communist worlds of the Balkans, Lithuania, and Estonia, and to Great Britain. Much of the material has been reworked from pieces written for the Irish press, and the result, though occasionally uneven, is a stimulating blend of vivid travelogue and passionate inner searching. We read of Holy Week processions, such as those of Seville, with their life-size statues of the crucified Christ and the sorrowful Virgin, accompanied by brass bands and hundreds of hooded penitents. We follow our author in the pilgrimages to Compostella and up the rugged heights of Croagh Patrick in Ireland. Midway through his narrative he tells of his searing experience in group therapy, when he first acknowledged his grief over his father's death and, in spite of himself, found the sign of the cross emerging from his psyche as a healing symbol. Throughout his travels, Tóibín has the keen eye of an intrigued skeptic: What does all this mean to these people? How can they believe in it? Only once, when he is blessed by Marija, one of the young visionaries of Medjugorje in Croatia, does he briefly move beyond his own experience of Catholicism as a form of social control. Always the outsider, he interviews many interesting people, such as Catholic Slovakian intellectuals and prominent English converts from Anglicanism, but he holds back from speaking to, rather than about, the very people whose devotion so disturbs and fascinates him. A very Irish view of Europe and Catholicism, likely to appeal to those whose inner search also takes them beyond themselves.
Pub Date: Sept. 20, 1995
ISBN: 0-679-44203-0
Page Count: 304
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
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edited by Colm Tóibín
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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