Illustrator Pham’s first foray into writing illuminates the complex and compelling world of sisterhood. With an air of nonchalance, a younger sibling narrates, discussing conspiratorially with readers the disparity between herself and her older sister. Through the youngster’s saucy little speeches, Pham adeptly conveys the feelings that close connection to another individual evoke. At the tale’s outset, the younger girl clearly delineates the many differences that set the two apart. However, as it progresses, Pham’s expressive brush pen-and-ink illustrations slowly reveal the other side of the story, illustrating the caring that flows between the two. The digitally produced color enlivens the pages with splashes of pure hues, and its not-quite-perfect placements actually fit in with the energy of the illustrations. Pham’s depictions of the sisters are full of character and vibrancy; the spunky little sister with her outrageously red cowboy hat and the more refined older sister will resonate with many sibling pairs, young or old. Pham offers a frothy fun tale that at its heart shows the depth and breadth of these relationships as something to be cherished. (Picture book. 4-8)
Pub Date: July 1, 2005
ISBN: 0-7868-5182-1
Page Count: 40
Publisher: Hyperion
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2005
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
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