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MINORITY PARTY

WHY DEMOCRATS FACE DEFEAT IN 1992 AND BEYOND

Polemic arguing that the Democratic Party is headed for the dustbin of history because the core electorate—the white middle- class—perceives it as dominated by minority concerns. Brown, chief political writer for Scripps Howard News Service, says the Democrats are hiding from an unpleasant truth they've long known: that the white middle-class blames them for the welfare society, for reverse discrimination coming out of affirmative action, and for crime. Furthermore, Brown argues, many whites perceive Democrats as ``cater[ing] to racial minorities, the poor, and the elite liberal whites who [run] the party''—in other words, ``paying for the other guy.'' With a torrent of statistics and opinion-poll results, interviews of politicians, and folksy portraits of a few former Democrats who quit the party in disgust, Brown identifies a tremendous white backlash driven by prejudice, fear, and wounded self-interest and argues that liberal guilt is dead. The working class, he says, has been absorbed into the middle-class; union voting blocks are shrinking; and machine politics don't operate in the suburbs where the white middle-class has moved. Fed reality via a flickering TV screen and rootless after changing suburbs every few years, such white voters—by ``simple math'' the largest voting bloc—buy the Republican message of economic self-interest, Brown argues. If he's right, the Democrats, ignorant of such demographics, will continue to lose the presidency and will soon lose their control of Congress and state and local governments. Brown, far from impartial, will be wide open to charges of promoting the racism he describes. And there's a perversity to his implied thesis that Democrats can't win unless they become even more indistinguishable from Republicans. Moreover, like the GOP, Brown doesn't discuss the S&L debacle, deficits, or any evidence counter to his claim that the GOP serves the economic self-interest of the middle class.

Pub Date: Sept. 4, 1991

ISBN: 0-89526-530-3

Page Count: 350

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1991

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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