Warn the fans: this isn't a new Alex Cross psychokiller foray (Pop Goes the Weasel, 1999, etc.), but instead a rewritten and retitled version of Virgin, Patterson's apocalyptic 1980 horror novel. At the French shrine of Lourdes in 1917, three children delivered a prophecy from the Virgin Mary: At some point in the future, two girls will experience near-simultaneous immaculate conceptions; one will give birth to a new Savior; the other will bring the Antichrist into the world. Now, in an undated present, with strange new plagues and catastrophes filling the news every day, and the Pope dying of a horrible virus, private detective Anne Fitzgerald is abruptly hired by Boston's Cardinal Rooney to keep an eye on young Kathleen Beavier, a spoiled, trash-talking (but virginal) rich kid. Kathleen's attempt to get an abortion is stymied when she finds her doctor’s bleeding corpse hanging from a hook in a South Boston clinic. Since then she's been hearing nasty voices and believes she's being watched by animals. An ex-cop with a Harvard psychology degree, Fitzgerald is also a former nun who left the order after falling in love with a priest. Though that love affair was never consummated, fate will reunite Fitzgerald with good-looking Father Justin O'Carroll. Meanwhile, in an Irish village, poor but pure Colleen Deirdre Galaher is getting dirty looks from the nuns at her Catholic boarding school. Sent from Rome to investigate, Father Nicholas Rosetti, the Vatican's international expert on miracles, finds himself aroused by the sight of the girl. Could this have anything to do with the inexplicable fainting spells he suffered in Rome only days ago? And what about that nasty voice that reviles him in his dreams? One can only hope that the ridiculous, cliff-hanging finale’s promise of a sequel will never be fulfilled. Post-Exorcist horror clichés, updated with a handful of contemporary references.
Pub Date: May 22, 2000
ISBN: 0-316-69061-9
Page Count: 336
Publisher: Little, Brown
Review Posted Online: April 6, 2011
Kirkus Reviews Issue: March 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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