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POTTYMOUTH AND STOOPID

An entertaining—but not particularly original—addition to the perennially relevant genre.

Sludgepuggle! Pottymouth and Stoopid take on relentless bullies, terrible teachers, and a dastardly Ex-Dad.

Twelve-year-olds Michael and David have been best friends—and the objects of widespread ridicule—since preschool. Now they’re in seventh grade, and things are still pretty much the same. Everyone still calls David “Stoopid,” because he once accidentally spilled some paint, and Michael “Pottymouth,” because he responds with creative expletives when provoked (“Rrrrrggghhh, hicklesnicklepox! David isn’t stupid, you flufferknuckles!”). David’s divorced parents and Michael’s churlish foster parents are no help, and when a new TV show appears on the Cartoon Factory network, things take a turn…for the worse. As with Patterson and Grabenstein’s previous collaborations, the combination of short chapters and comical illustrations (here courtesy of Gilpin) targets fans of Diary of a Wimpy Kid. This iteration aims, not quite successfully in its broad strokes, to reflect a slightly more diverse crowd—the vast majority of primary characters are white, but Michael is black, and the story also touches on children’s experiences with divorced parents, (bad) foster parents, and families with lower incomes. Readers will be amused by Pottymouth and Stoopid’s shenanigans, bolstered occasionally by the brainy Anna Britannica (chubby and white and another victim of the school’s charismatic bully), but the generally formulaic tale delivers few truly funny or memorable moments.

An entertaining—but not particularly original—addition to the perennially relevant genre. (Fiction. 8-12)

Pub Date: June 12, 2017

ISBN: 978-0-316-34963-5

Page Count: 320

Publisher: Jimmy Patterson/Little, Brown

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: May 1, 2017

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CHARLOTTE'S WEB

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...

A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.

Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.

The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.

Pub Date: Oct. 15, 1952

ISBN: 978-0-06-026385-0

Page Count: 192

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 14, 2011

Kirkus Reviews Issue: Oct. 1, 1952

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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