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THE PRESIDENT'S DAUGHTER

Written by the numbers, but undemanding entertainment.

Awards & Accolades

Likes

  • Readers Vote
  • 13


Our Verdict

  • Our Verdict
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  • New York Times Bestseller


  • IndieBound Bestseller

A bare-chested hero of a one-time president takes on a slew of very bad jihadis, and the bullets fly.

In office, Clinton lobbed a few cruise missiles at Osama bin Laden and company, to little apparent effect. Now, teamed up with literary industrialist Patterson, his vengeance is more comprehensive. Matt Keating helms the Oval Office. A former Navy SEAL, he has a special bone to pick with Asim Al-Asheed, a sadistic one-time doctor who once crucified a captive SEAL, leaving him to hang for an hour “before the captors grew bored and slit his throat.” Not nice. Holed up in the Libyan mountains, Asim has an eager enabler in a Chinese operative named Jiang Lijun. SEALs close in, bullets are exchanged, a bomb detonates, and Asim’s family members become collateral damage. What’s a bad guy to do? Kidnap Keating’s teenage daughter, of course, but only after Keating is out of office, “a one-term president known to history as the first to lose my job against an insurgent vice president,” Pamela Barnes, who'd never liked him and defeated him in the primaries. As president, Barnes proves less interested in Mel's safety than in politics, so it’s up to Keating to work the phones with Mossad, Saudi intelligence, and the Massachusetts State Police and assemble a crew to find Asim and “separate his brain stem from his spine.” It helps that Melanie, the daughter, knows her way around tactical weapons of various kinds. She’s a tough, resourceful kid, which only serves to tick Asim off even as Jiang woos him with geopolitical calculations and fat bribes. As for Keating, well, he’s the kind of dude given to lines like, “Except for Mel, there are no innocents up there. Armed or unarmed, running away or running toward us, kill ’em all.” Guess how it all ends? There’s scarcely a moment here that can’t be seen from afar: The bad guys sneer and stab, the good guys come riding in to save the day, the sitting president fumes at having been left out of the fun, and the authors throw in genre tropes like so many grenades.

Written by the numbers, but undemanding entertainment.

Pub Date: June 7, 2021

ISBN: 978-0-316-54071-1

Page Count: 608

Publisher: Little, Brown and Knopf

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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YOU'D LOOK BETTER AS A GHOST

Squeamish readers will find this isn’t their cup of tea.

Dexter meets Killing Eve in Wallace’s dark comic thriller debut.

While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.

Squeamish readers will find this isn’t their cup of tea.

Pub Date: April 16, 2024

ISBN: 9780143136170

Page Count: 336

Publisher: Penguin

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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