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THE WORLD AND ALL THAT IT HOLDS

Hemon pulls no punches in his most ambitious novel to date.

With death the only escape from seemingly endless wars, a Bosnian refugee perseveres.

As this epic novel leaps from country to country, decade to decade, life to death and back again, little seems to connect for Rafael Pinto. He’s a witness to the assassination of Archduke Franz Ferdinand, which ignites the First World War. It also shatters Rafael’s old life in his home in Sarajevo, a city he fears no longer exists as his conscription into warfare takes him farther away. He is an outsider three times over—he's Jewish, he's homosexual, and he finds some respite from his meaningless life in drugs. He lives from moment to moment, for the next kiss, the bliss of the next high. That is, until he makes the crucial connection of his life, to a handsome Muslim soldier named Osman Karišik, who seems to sense a kindred spirit and woos Rafael without much regard to the protocols of their regiment. He might not give Rafael’s life purpose and meaning, but he does give him a reason to live that day and the next, to follow wherever he leads. Even when Osman dies, his voice remains very much alive within Rafael, with its insistence that now is not the time for him to die. Because he somehow has a daughter, who was Osman’s daughter and now his, who will require his protection. Throughout a narrative spanning decades, from Sarajevo to Shanghai, the bleakness of war and its aftershocks remains relentless, “the despair that overwhelmed him in the middle of the night, the horror of an absent future…which is constantly degrading. It is hard to see what the point of any of it is….We just live because we are afraid to die. We live out of cowardice.” Yet the writing remains powerful, beautiful, and the epilogue provides an origin story that puts everything that has preceded it in fresh light.

Hemon pulls no punches in his most ambitious novel to date.

Pub Date: Jan. 24, 2023

ISBN: 978-0-374-28770-2

Page Count: 352

Publisher: MCD/Farrar, Straus and Giroux

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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