No, it’s not for everyone—but if you want to read a supercharged meta-pastiche like this, this is exactly the one to read.
The 50th annual Australian Mystery Writers’ Festival, taking place aboard a long-distance train bound from Darwin to Adelaide, is punctuated by snarky dialogue, murder, and a zillion inventive misdirections.
“Why [am] I here?” wonders Ernest Cunningham, whose struggles to write his second book are interrupted by his invitation as a headliner at the festival-on-wheels, which will turn into the setting of his new book. Thriller writer S.F. Majors, former forensic pathologist Alan Royce, and artsy one-named Wolfgang are all much better known than he is. So is Lisa Fulton, even though she hasn’t published a novel in 20 years. And of course Henry McTavish, the bestselling creator of Detective Morbund, is in a different league altogether. After making a series of disingenuous promises about future developments—since he’s narrating the tale in the first person, for instance, he will definitely survive, and the killer’s name will be mentioned exactly 106 more times going forward—Ernest gets down to business with a combination of zeal and obliviousness. True to his word, he chronicles more than one murder, reveals a multitude of other felonies from burglary to rape, links the current mystery to a much older case, and sets the stage for a series of escalating reveals, one of them interrupted so many times that the self-anointed detective complains, “There’s not normally this much heckling in a denouement.” Stevenson rivals his golden age models in his willingness to sprinkle every scene with clever clues, outdoes them in setting up a dazzling series of false conclusions, and leaves them in the dust for modern-day fans with an appetite for self-reflexiveness.
No, it’s not for everyone—but if you want to read a supercharged meta-pastiche like this, this is exactly the one to read.Pub Date: Jan. 30, 2024
ISBN: 9780063279070
Page Count: 336
Publisher: Mariner Books
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.
What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.
Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.
Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.Pub Date: April 16, 2024
ISBN: 9780063305649
Page Count: 384
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.
A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.
Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”
Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.Pub Date: Nov. 8, 2022
ISBN: 978-0-316-48565-4
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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