by Agnes Lee ; illustrated by Agnes Lee ‧ RELEASE DATE: March 5, 2024
A moving portrayal of mortality and its aftermath, shown from both sides.
A young woman embarks on a journey to an unknown destination in this debut about grief and life after loss.
“There’s some weird shit happening out here,” Kit thinks as she finds herself alive after experiencing yet another seemingly fatal accident. Each morning, Kit checks her watch and her map and walks, until something—a rushing tide, slippery boulders, a falling branch—halts her progress. She wakes up unharmed the following day, and the routine repeats itself. Kit’s happy-go-lucky demeanor matches the pleasant childhood memories that punctuate her days, but as time passes, her frustration grows, and the memories increasingly become tinged with regret. In a concurrent storyline, grieving family members surrounded by reminders of the one they lost try to resume normal life. Readers will piece together the clues before Kit realizes what’s happening, but that knowledge won’t diminish the impact of the reveal, which is dramatic in its visual simplicity. Throughout the book, Lee’s unfussy artwork—bold, black line art paired with monochromatic shading—effortlessly conveys movement and emotion, while page turns and two-page spreads are used to great effect in creating mood and suspense. The depth of emotion portrayed here will resonate with any reader who has experienced loss. The characters are cued as Korean American. An author’s note explains the Buddhist concept of bardo, a temporary state between life and rebirth, from which the book takes inspiration.
A moving portrayal of mortality and its aftermath, shown from both sides. (Graphic fiction. 13-adult)Pub Date: March 5, 2024
ISBN: 9781646143757
Page Count: 352
Publisher: Levine Querido
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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by Gene Luen Yang ; illustrated by Gurihiru ‧ RELEASE DATE: May 12, 2020
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.
Superman confronts racism and learns to accept himself with the help of new friends.
In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.
A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)Pub Date: May 12, 2020
ISBN: 978-1-77950-421-0
Page Count: 240
Publisher: DC
Review Posted Online: Feb. 29, 2020
Kirkus Reviews Issue: March 15, 2020
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by William Shakespeare & developed by The New Book Press LLC ‧ RELEASE DATE: Sept. 9, 2013
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced...
A pairing of the text of the Scottish Play with a filmed performance, designed with the Shakespeare novice in mind.
The left side of the screen of this enhanced e-book contains a full version of Macbeth, while the right side includes a performance of the dialogue shown (approximately 20 lines’ worth per page). This granular focus allows newcomers to experience the nuances of the play, which is rich in irony, hidden intentions and sudden shifts in emotional temperature. The set and costuming are deliberately simple: The background is white, and Macbeth’s “armor” is a leather jacket. But nobody’s dumbing down their performances. Francesca Faridany is particularly good as a tightly coiled Lady Macbeth; Raphael Nash-Thompson gives his roles as the drunken porter and a witch a garrulousness that carries an entertainingly sinister edge. The presentation is not without its hiccups. Matching the video on the right with the text on the left means routinely cutting off dramatic moments; at one point, users have to swipe to see and read the second half of a scene’s closing couplet—presumably an easy fix. A “tap to translate” button on each page puts the text into plain English, but the pop-up text covers up Shakespeare’s original, denying any attempts at comparison; moreover, the translation mainly redefines more obscure words, suggesting that smaller pop-ups for individual terms might be more meaningful.
Even so, this remains Macbeth, arguably the Bard of Avon’s most durable and multilayered tragedy, and overall, this enhanced e-book makes the play appealing and graspable to students . (Enhanced e-book. 12 & up)Pub Date: Sept. 9, 2013
ISBN: N/A
Page Count: -
Publisher: The New Book Press LLC
Review Posted Online: Nov. 6, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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