A needed celebration of America’s potential.
Magoon and Freeman collaborate for a picture-book biography of the first Black female Supreme Court justice.
Ketanji Brown Jackson’s parents named her “lovely one,” dressed her in dashikis, and kept her hair natural, helping her to develop pride and belief in herself and her future. As a young person, she exuded confidence and sought ways to spread her “shining light,” from student government to the debate team. She excelled at Harvard College and Harvard Law School. She married, had two daughters, and held 10 different law-related positions before being nominated to the Supreme Court, an event that placed her in the national spotlight, where once again she inspired people with her poise. Her 2022 confirmation as the first Black woman Supreme Court justice broke a new barrier. Magoon’s straightforward prose allows Ketanji’s life story to speak for itself. While younger readers may get lost in some of the details of Ketanji’s adult experiences in law, the theme of Ketanji’s “shining star” connects the phases of her life and shows how she found her purpose. Freeman’s digital illustrations work hardest on spreads showing relationships between characters, highlighting the special roles of her parents and children in her life. The images of Ketanji become a bit repetitive, but readers won’t tire of the still too rare positive imagery of a superstar Black woman. (This book was reviewed digitally.)
A needed celebration of America’s potential. (author’s note, glossary, timeline, bibliography, further reading) (Picture-book biography. 6-10)Pub Date: June 20, 2023
ISBN: 9780063296169
Page Count: 40
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: April 24, 2023
Kirkus Reviews Issue: May 15, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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