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POST AFTER POST-MORTEM

About average for the British Library Crime Classics series of reprints, which makes it well worth your attention.

An Oxfordshire family’s sense of its comfortable place in the world is rocked by the apparent suicide of one of its members, then by the even more disturbing news that it wasn’t suicide after all.

Get-togethers of the Surray family at Upwood House are almost like reciprocal book signings. Prof. John Surray writes academic treatises; his sons, Richard and Robert, maintain their professional standing by writing articles; his daughter Ruth is a successful novelist; and his daughter Naomi, who’s just graduated with first-class honors in classics, will surely add to the pile. No wonder Judith Beech, his married daughter, has just burned her own manuscript, which would clearly face stiff competition. But not, as it happens, from Ruth, who’s found dead in her bed from an overdose of thalmaine the morning after she hosts a dinner of fellow authors and publishers. Ruth’s always kept herself to herself, but it’s hard for her family to accept her suicide, and impossible once a letter she posted to Richard hours before her death arrives sounding anything but suicidal. Chief Inspector Macdonald, tasked with peering into Ruth’s romantic affairs and professional secrets, offers an object lesson in how to stiffen everyone’s back against the police while maintaining the utmost decorum and sympathy. His path is complicated by a fire that nearly destroys Upwood House and a later pair of poisonings with atropine. In a tale first published in 1936, Lorac keeps everything professional and smartly paced, though she’s so determined to make the guilty party appear innocent that sharp-eyed readers will have their perverse suspicions.

About average for the British Library Crime Classics series of reprints, which makes it well worth your attention.

Pub Date: Feb. 7, 2023

ISBN: 9781728267609

Page Count: 320

Publisher: Poisoned Pen

Review Posted Online: Nov. 28, 2022

Kirkus Reviews Issue: Dec. 15, 2022

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CLOSE TO DEATH

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

What begins as a decorous whodunit set in a gated community on the River Thames turns out to be another metafictional romp for mystery writer Anthony Horowitz and his frequent collaborator, ex-DI Daniel Hawthorne.

Everyone in Riverview Close hates Giles Kenworthy, an entitled hedge fund manager who bought Riverview Lodge from chess grandmaster Adam Strauss when the failure of Adam’s chess-themed TV show forced him and his wife, Teri, to downsize to The Stables at the opposite end of the development. So the surprise when Kenworthy’s wife, retired air hostess Lynda, returns home from an evening out with her French teacher, Jean-François, to find her husband’s dead body is mainly restricted to the manner of his death: He’s been shot through the throat with an arrow. Suspects include—and seem to be limited to—Richmond GP Dr. Tom Beresford and his wife, jewelry designer Gemma; widowed ex-nuns May Winslow and Phyllis Moore; and retired barrister Andrew Pennington, whose name is one of many nods to Agatha Christie. Detective Superintendent Tariq Khan, feeling outside his element, calls in Hawthorne and his old friend John Dudley as consultants, and eventually the case is marked as solved. Five years later, Horowitz, needing to plot and write a new novel on short notice, asks Hawthorne if he can supply enough information about the case to serve as its basis, launching another prickly collaboration in which Hawthorne conceals as much as he reveals. To say more, as usual with this ultrabrainy series, would spoil the string of surprises the real-life author has planted like so many explosive devices.

Gloriously artificial, improbable, and ingenious. Fans of both versions of Horowitz will rejoice.

Pub Date: April 16, 2024

ISBN: 9780063305649

Page Count: 384

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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DESERT STAR

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

A snap of the yo-yo string yanks Harry Bosch out of retirement yet again.

Los Angeles Councilman Jake Pearlman has resurrected the LAPD’s Open-Unsolved Unit in order to reopen the case of his kid sister, Sarah, whose 1994 murder was instantly eclipsed in the press by the O.J. Simpson case when it broke a day later. Since not even a councilor can reconstitute a police unit for a single favored case, Det. Renée Ballard and her mostly volunteer (read: unpaid) crew are expected to reopen some other cold cases as well, giving Bosch a fresh opportunity to gather evidence against Finbar McShane, the crooked manager he’s convinced executed industrial contractor Stephen Gallagher, his wife, and their two children in 2013 and buried them in a single desert grave. The case has haunted Bosch more than any other he failed to close, and he’s fine to work the Pearlman homicide if it’ll give him another crack at McShane. As it turns out, the Pearlman case is considerably more interesting—partly because the break that leads the unit to a surprising new suspect turns out to be both fraught and misleading, partly because identifying the killer is only the beginning of Bosch’s problems. The windup of the Gallagher murders, a testament to sweating every detail and following every lead wherever it goes, is more heartfelt but less wily and dramatic. Fans of the aging detective who fear that he might be mellowing will be happy to hear that “putting him on a team did not make him a team player.”

Not the best of Connelly’s procedurals, but nobody else does them better than his second-best.

Pub Date: Nov. 8, 2022

ISBN: 978-0-316-48565-4

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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