by Brad Meltzer ; illustrated by Christopher Eliopoulos ‧ RELEASE DATE: Oct. 13, 2020
A sanitized version of a too-short life.
A bobblehead avatar of the teenage writer and symbol of the Holocaust presents her life as an inspiration.
From a big-eared babyhood and a childhood spent “writing stories” to fleeing Germany for Amsterdam, Anne’s pre-Annex life is sketched. Narrating in the first person, the cartoon Anne explains that Nazis “didn’t like those of us who were Jewish or other groups who were different from them.” Hitler is presented as a leader “who blamed the Jews for all of Germany’s problems, even though we hadn’t done anything wrong.” Then in short order Anne receives her diary as a birthday present, the family goes into hiding, and Anne finds solace in the attic looking at the chestnut tree and writing. Effectively, Annex scenes are squeezed between broad black borders. Illustrations present four snippets of quotes from her diary, including “I still believe, in spite of everything, that people are truly good at heart.” Narrator Anne says, “You can always find light in the darkest places. That’s what hope is,” as she clutches the diary with Shabbat candles on one side and a menorah burning brightly on the other. In the next double-page spread, an international array of modern-day visitors standing outside the Anne Frank House briefly, in speech bubbles, wraps up the story of the Holocaust, the diary, the Annex, and the chestnut tree. Anne’s wretched death in a concentration camp is mentioned only in a concluding timeline. I Am Benjamin Franklin publishes simultaneously. (This book was reviewed digitally with 7.5-by-15-inch double-page spreads viewed at actual size.)
A sanitized version of a too-short life. (photos, sources, further reading) (Picture book/biography. 4-8)Pub Date: Oct. 13, 2020
ISBN: 978-0-525-55594-0
Page Count: 40
Publisher: Dial Books
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Monica Brown ; illustrated by John Parra ‧ RELEASE DATE: Sept. 5, 2017
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
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by Monica Brown ; translated by Cinthya Miranda-McIntosh ; illustrated by Adriana M. Garcia
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by Chris Paul ; illustrated by Courtney Lovett ‧ RELEASE DATE: Jan. 10, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
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